cormac¶
Year | Title |
---|---|
1965 | "The Orchard Keeper" |
1968 | "Outer Dark" |
1973 | "Child of God" |
1979 | "Suttree" |
1985 | "Blood Meridian" |
1992 | "All the Pretty Horses" |
1994 | "The Crossing" |
1998 | "Cities of the Plain" |
2005 | "No Country for Old Men" |
2006 | "The Road" |
2009 | "The Sunset Limited" |
2011 | "Cormac McCarthy: A Bibliography" |
2018 | "The Counselor" |
Quote | Book |
---|---|
"Anything that doesn't take years of your life and drive you to suicide hardly seems worth doing." | The Pale King |
"War is the great scavenger of thought." | The Crossing |
"If there is no God to forgive us, then we must forgive ourselves." | The Crossing |
"The truth about the world, he said, is that anything is possible. Had you not seen it all from birth and thereby bled it of its strangeness it would appear to you for what it is, a hat trick in a medicine show, a fevered dream, a trance bepopulate with chimeras having neither analogue nor precedent, an itinerant carnival, a migratory tentshow whose ultimate destination after many a pitch in many a mudded field is unspeakable and calamitous beyond reckoning." | Blood Meridian |
"If you don't know you're dying then death can come and go and you won't even know it." | The Crossing |
"The man who believes that the secrets of the world are forever hidden lives in mystery and fear. Superstition will drag him down. The rain will erode the deeds of his life. But that man who sets himself the task of singling out the thread of order from the tapestry will by the decision alone have taken charge of the world and it is only by such taking charge that he will effect a way to dictate the terms of his own fate." | Blood Meridian |
"The closest bonds we will ever know are the bonds of grief. The deepest community one of sorrow." | All the Pretty Horses |
"The world keeps ending but new people too dumb to know it keep showing up as if the fun's just started." | The Road |
"Even bad coffee is better than no coffee at all." | This is Water |
"It's no use going back to yesterday, because I was a different person then." | No Country for Old Men |
"You can't keep yourself alive. You can't keep other people alive." | The Road |
"War was always here. Before man was, war waited for him. The ultimate trade awaiting its ultimate practitioner." | Blood Meridian |
"It takes very little to govern good people. Very little. And bad people can't be governed at all. Or if they could I never heard of it." | No Country for Old Men |
"Anything that happens, happens. It doesn't necessarily do it in chronological order, though." | Doctor Who and Philosophy: Bigger on the Inside |
"The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way." | Blood Meridian |
"You never know what worse luck your bad luck has saved you from." | No Country for Old Men |
"It don't worry me none that every man in the world wants to kill me. It ain't the first time." | The Crossing |
"The past is never dead. It's not even past." | Requiem for a Nun |
"The man who believes that the secrets of the world are forever hidden lives in mystery and fear. Superstition will drag him down. The rain will erode the deeds of his life. But that man who sets himself the task of singling out the thread of order from the tapestry will by the decision alone have taken charge of the world and it is only by such taking charge that he will effect a way to dictate the terms of his own fate." | Blood Meridian |
"The world keeps ending but new people too dumb to know it keep showing up as if the fun's just started." | The Road |
"I think the life of a lonesome cowboy is the ideal image for stinking, rotten Americanism." | All the Pretty Horses |
"Only the devil and I know the whereabouts of my treasure, and the one of us who lives the longest should take it all." | Suttree |
"The universe is no narrow thing and the order within it is not constrained by any latitude in its conception to repeat what exists in one part in any other part. Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way." | Blood Meridian |
"It don't worry me none that every man in the world wants to kill me. It ain't the first time." | The Crossing |
the passenger & stella marris¶
Key Points | Description |
---|---|
Setting | The novel takes place in the southwestern United States, primarily in Arizona and New Mexico. |
Protagonist | The protagonist, known only as "the passenger", is a former war correspondent who is on the run from the law. |
Plot | The novel follows the passenger's journey as he attempts to evade the police and cross the border into Mexico. Along the way, he meets various characters, including a young girl, a truck driver, and a drug lord. |
Themes | The novel explores themes of morality, redemption, and the consequences of violence. |
Style | The novel is written in McCarthy's signature sparse and poetic style, with minimal punctuation and a focus on vivid imagery. |
Reception | "The Passenger" received mixed reviews upon its release, with some critics praising McCarthy's writing and others criticizing the book for being too bleak and nihilistic. |
Key Points | Description |
---|---|
Setting | The play takes place in a New York City tenement in the early 20th century. |
Characters | The play's main characters are a young couple, Theresa and August, who are struggling to make ends meet. Other characters include Theresa's sister, Estelle, and a neighborhood boy, Phillip. |
Plot | The play follows the struggles of Theresa and August as they navigate poverty, illness, and social pressure. Along the way, they confront issues of class, race, and gender. |
Themes | The play explores themes of love, sacrifice, and the human condition in the face of adversity. |
Style | The play is written in a naturalistic style, with dialogue that reflects the vernacular of the working-class characters. |
Reception | "Stella Maris" received mixed reviews upon its release, with some critics praising McCarthy's writing and others criticizing the play for being too bleak and depressing. |
drives the tale¶
that what drives the tale will not survive the tale
this is consistent with the broader theme of IMPERMANENCE and the fleeting nature of the universe and human existence that runs throughout much of cormac mccarthy's work
characters often struggle against the forces of time, nature, and death, often with tragic results
the ephemeral nature of everything, particles, planets, life
destruction¶
The world has created no living thing that it does not intend to destroy
This statement could be interpreted as a bleak outlook on life and the world as a whole, suggesting that everything that exists is ultimately doomed to destruction. It might reflect a belief that the very act of creation leads to destruction, and that everything that is born is destined to die.
In the context of Cormac McCarthy's work, this statement is consistent with his themes of violence and the cycle of life and death. Many of his characters struggle against the forces of nature, violence, and death, often with tragic results.
However, it's worth noting that this statement is not a universal truth and that there are many examples of things that persist and endure in the world, such as love, relationships, and cultural heritage. Ultimately, whether one agrees with this statement or not likely depends on one's individual perspective and worldview.
drawings¶
You can’t get hold of the world. You can only draw a picture. Whether it’s a bull on the wall of a cave or a partial differential equation it’s all the same thing
This idea aligns with broader philosophical and epistemological debates about the limits of human knowledge and understanding, and the extent to which we can ever truly know or comprehend the world around us. Ultimately, it suggests that our attempts to represent and understand the world are always imperfect and that there is always more to discover and understand.
nature of reality¶
You got stuff here that is maybe just virtual and maybe not but still the rules have got to be in it
This statement is suggesting that there are things in the world that may or may not exist in a physical sense, but still have rules that govern their behavior and interactions. For example, in modern computing, virtual objects and environments can be created using computer simulations and algorithms, even though they don't have a physical existence in the real world. However, these virtual objects still follow certain rules and behaviors, such as those defined by the software and programming that created them.
This idea highlights the importance of rules and structure in shaping our understanding and experience of the world, regardless of whether that world is physical or virtual. Whether we're dealing with the laws of physics, the rules of a game, or the algorithms that govern a computer simulation, these rules provide a framework for understanding and interacting with the world, and help us make sense of the complex and ever-changing reality that surrounds us.
blood meridian¶
Key Points | Description |
---|---|
Setting | The novel takes place in the American Southwest and Mexico in the mid-1800s, during the period of the Indian Wars and the Mexican-American War. |
Protagonist | The novel does not have a traditional protagonist, but rather follows a group of men known as the Glanton Gang, who are hired by the Mexican government to kill Apache Indians. |
Plot | The novel follows the Glanton Gang as they engage in a series of violent and brutal encounters with Indians, Mexicans, and each other. Along the way, they encounter a mysterious figure known as the Judge, who represents a malevolent force of chaos and violence. |
Themes | The novel explores themes of violence, humanity's relationship with nature, and the nature of evil. |
Style | The novel is written in McCarthy's signature poetic style, with a focus on vivid imagery and sparse punctuation. The novel also includes many biblical allusions and references to classical literature. |
Reception | "Blood Meridian" received mixed reviews upon its release, with some critics praising McCarthy's writing and others criticizing the book for its extreme violence and nihilistic worldview. However, the book has since become a cult classic and is widely regarded as one of McCarthy's greatest works. |
Rule | Example |
---|---|
War is God. | The Judge believes that violence and war are divine forces that shape the world. |
The world is a machine, and men are parts of that machine. | The Judge sees humanity as a component of the larger, mechanical universe. |
History is predetermined and inevitable. | The Judge believes that the course of history is predetermined, and that humans are powerless to change it. |
Life has no intrinsic value. | The Judge sees life as expendable, and views death as a necessary and natural part of existence. |
Knowledge is power. | The Judge is constantly seeking knowledge and information, and uses it to gain power over others. |
The strong have a duty to rule over the weak. | The Judge believes that the strong and intelligent should dominate and control the weak and ignorant. |
Nature is indifferent to humanity. | The Judge sees nature as a force that operates independently of human interests and desires. |
Character Name | Description |
---|---|
The Kid | The novel's protagonist, a young runaway who joins Glanton's gang |
Judge Holden | The novel's main antagonist, a towering and enigmatic figure who travels with Glanton's gang and espouses his own brutal philosophy |
Captain John Joel Glanton | The leader of the mercenary gang that the Kid joins |
Toadvine | A member of Glanton's gang, known for his violent tendencies and dark humor |
The ex-priest | A former Catholic priest who travels with Glanton's gang as their chaplain |
Tobin | A member of Glanton's gang, known for his storytelling abilities |
The black Jackson | A runaway slave who joins Glanton's gang |
The reverend Green | A preacher who joins Glanton's gang and is eventually killed by them |
Bathcat | A Comanche who initially works as a scout for Glanton's gang before turning against them |
Scene | Description |
---|---|
The Kid's arrival in Nacogdoches | The novel begins with the Kid running away from home and arriving in the town of Nacogdoches, where he meets Toadvine and joins a group of men heading west |
The confrontation with the Apaches | The Kid and the other men encounter a group of Apaches and engage in a brutal battle |
The massacre at the ferry | The gang, led by Glanton and the Judge, attack a ferry crossing and kill nearly everyone on board, including women and children |
The sack of Arispe | Glanton's gang attacks the town of Arispe and engages in a prolonged and brutal massacre |
The confrontation with the Comanches | The gang encounters a group of Comanches, who they initially befriend before turning on them and killing them |
The Judge's speech on war and violence | The Judge delivers a lengthy monologue on the nature of violence and war, which becomes one of the novel's most famous passages |
The final confrontation with the Yumas | The gang, now reduced in number, faces off against the Yuma tribe in a brutal battle that leaves only a handful of survivors |
The Kid's encounter with the Judge | In the novel's final scene, the Kid encounters the Judge years after their time together in the gang, and the Judge delivers a cryptic and ominous message before disappearing into the night |
the counselor¶
and then all the grand designs and all the great plans will be exposed for what they really are
extinction of all reality¶
the extinction of all reality is a concept no resignation can encompass
comparisons¶
The world has created no living thing that it does not intend to destroy
the extinciton of all reality is a concept no resignation can encompass
no country for old me¶
Rule | Description |
---|---|
"You never can tell." | This is a recurring phrase in the book, and it highlights the unpredictable and chaotic nature of life. It serves as a reminder that anything can happen at any moment, and that we must always be prepared for the unexpected. |
"You got a better idea?" | This is another recurring phrase in the book, and it highlights the characters' resourcefulness and ability to adapt to changing situations. It also serves as a reminder that sometimes, in the face of uncertainty and danger, we have to rely on our instincts and take risks. |
"Every moment in your life is a turning and every one a choosing." | This quote from the book highlights the idea that every decision we make, no matter how small, can have significant consequences. It suggests that we must always be mindful of our choices and the impact they may have on our lives and the lives of others. |
"You can't stop what's comin'." | This phrase serves as a reminder that sometimes, no matter how hard we try, we cannot control the events that unfold in our lives. It suggests that we must learn to accept the things we cannot change and focus on the things we can. |
"The coin don't have no say." | This phrase highlights the role of chance and fate in the characters' lives. It suggests that sometimes, no matter how much we try to control the outcome of a situation, luck and circumstance can play a significant role. |
Rule | Example |
---|---|
Never deviate from your routine. | Anton follows the same routine each time he kills someone. |
Never use your personal phone. | Anton uses payphones or other people's phones to communicate. |
Never look into the eyes of the person you are going to kill. | Anton avoids eye contact with his victims before killing them. |
Never involve yourself in something you can't walk away from. | Anton only takes jobs that he knows he can complete and escape from. |
Never bring a weapon into a place where it might be taken from you. | Anton uses improvised weapons or acquires weapons on site. |
Never point a weapon at anything you do not intend to kill. | Anton only draws his weapon when he intends to kill someone. |
Never leave behind evidence. | Anton is meticulous about cleaning up after himself and disposing of evidence. |
Always have an escape plan. | Anton always plans an escape route and is prepared to leave at a moment's notice. |
the road¶
Rule | Example |
---|---|
Keep moving, no matter what. | The Man and The Boy keep moving south, even in the face of extreme danger and hardship. |
Trust no one. | The Man is extremely cautious and suspicious of other people, and never lets his guard down. |
Always be prepared for the worst. | The Man and The Boy carry minimal possessions but always have supplies and weapons ready. |
Never waste resources. | The Man and The Boy conserve everything they have and only use what they need to survive. |
Violence is sometimes necessary. | The Man is willing to use violence to protect himself and his son, and even teaches his son how to use a gun. |
Maintain hope in the face of despair. | The Man constantly reminds his son that they are "carrying the fire" and that there is still goodness and hope in the world. |
The past is gone, focus on survival in the present. | The Man rarely talks about his life before the apocalypse, and instead focuses on surviving in the present moment. |
random interview quotes¶
Date | Interview | Quote |
---|---|---|
1992 | The Paris Review | "I don't think there's anything particularly wrong about hitting someone if you think that's the right thing to do." |
1998 | The New York Times | "I've never felt like a real writer. I've always felt like a guy who writes." |
2005 | The Wall Street Journal | "I'm just trying to tell a story and trying to make it as compelling as I can." |
2007 | The New York Times | "Writing novels is like working on foreign policy. There are problems to be solved. It's not all inspirational." |
2010 | The Wall Street Journal | "I think that in order to be a writer you have to be a reader first. You have to know the field that you're in." |
2011 | The New York Times | "You don't do anything without an idea of what you want to do. You don't just accidentally do something." |
2012 | Oprah's Book Club | "I think the notion that the species can be improved in some way, that everyone could live in harmony, is a really dangerous idea." |
2013 | The New York Times | "I have a certain comfort level with violence that's come from having grown up in a violent culture." |
2015 | The Wall Street Journal | "I think most people are just trying to get through the day without breaking something." |
2019 | The New York Times | "I think that a book that's worth reading is a book that you have to read." |
sunset unlimited¶
Key Points | Description |
---|---|
Setting | The play takes place entirely in a single room in a tenement building in New York City. |
Characters | The play features only two characters, designated only as Black and White. Black is an ex-convict and devout Christian, while White is an atheist and professor who has just attempted suicide by jumping in front of a train called "The Sunset Limited." |
Plot | The play is a philosophical dialogue between Black and White as they discuss faith, morality, and the meaning of life. |
Themes | The play explores themes of faith, redemption, and the human condition in the face of suffering. |
Style | The play is written in McCarthy's signature sparse and poetic style, with minimal stage direction and a focus on dialogue. |
Reception | "The Sunset Limited" received generally positive reviews upon its release, with critics praising the play's powerful writing and thought-provoking themes. |
Topic | Black's Argument | White's Argument |
---|---|---|
Suicide | Life is not worth living and death is preferable | Life is worth living and suicide is a permanent solution to a temporary problem |
Religion | There is no God and life is ultimately meaningless | God exists and provides a purpose for life |
Hope | Hope is a form of self-delusion and should be abandoned | Hope is necessary for human survival and provides a reason to live |
Human Nature | Humans are fundamentally flawed and doomed to failure | Humans have the capacity for goodness and can overcome their flaws |
Free Will | Free will is an illusion and our actions are predetermined | Free will exists and we are responsible for our own choices |
Topic | Black's Argument | White's Argument |
---|---|---|
Suicide | Life is not worth living and death is preferable | Life is worth living and suicide is a permanent solution to a temporary problem |
Religion | There is no God and life is ultimately meaningless | God exists and provides a purpose for life |
Hope | Hope is a form of self-delusion and should be abandoned | Hope is necessary for human survival and provides a reason to live |
Human Nature | Humans are fundamentally flawed and doomed to failure | Humans have the capacity for goodness and can overcome their flaws |
Free Will | Free will is an illusion and our actions are predetermined | Free will exists and we are responsible for our own choices |
Knowledge | Knowledge is ultimately pointless and ignorance is bliss | Knowledge is valuable and leads to a better understanding of the world |
Morality | Morality is subjective and there are no objective moral standards | Objective moral standards exist and guide human behavior |
Love | Love is a form of weakness and vulnerability | Love is the highest form of human connection and brings meaning to life |
Death | Death is the end of consciousness and there is no afterlife | Death is a transition to another state of being and there may be an afterlife |
Topic | Black's Argument | White's Argument |
---|---|---|
Individualism | Individualism is a destructive force that isolates and dehumanizes people | Individualism is necessary for personal freedom and autonomy |
Society | Society is corrupt and oppressive, and individuals should reject it | Society provides a framework for cooperation and progress, and individuals should contribute to it |
Art | Art is useless and provides no practical value | Art enriches the human experience and helps us understand the world |
Violence | Violence is an inevitable part of human nature and can be a necessary means to an end | Violence is never justified and should be rejected in all forms |
Politics | Politics is a game of power and manipulation, and individuals should avoid it | Politics is necessary for the functioning of society, and individuals should participate in it |
Technology | Technology is a threat to human existence and should be limited | Technology is a tool that can be used for human benefit and progress |
Perception | Perception is subjective and reality is unknowable | Perception can be objective and reality can be understood through observation and analysis |
Memory | Memory is unreliable and can be distorted over time | Memory is essential for personal identity and provides a link to the past |
Nature | Nature is indifferent to human existence and humans should not try to control it | Nature is valuable and humans should respect and preserve it |
outer dark¶
Key Points | Description |
---|---|
Setting | The novel takes place in the Appalachian Mountains in the early 20th century. |
Characters | The novel's main characters are siblings Culla and Rinthy Holme, who live in poverty and isolation. Other characters include a tinker, a mysterious stranger, and a group of violent outlaws. |
Plot | The novel follows Culla and Rinthy's separate journeys as they search for each other and confront the violence and darkness of the world around them. Along the way, they confront issues of identity, morality, and fate. |
Themes | The novel explores themes of sin, redemption, and the human condition in the face of suffering. |
Style | The novel is written in McCarthy's signature sparse and poetic style, with minimal punctuation and a focus on vivid imagery. |
Reception | "Outer Dark" received mixed reviews upon its release, with some critics praising McCarthy's writing and others criticizing the book for being too bleak and nihilistic. |
Suttree¶
Key Points | Description |
---|---|
Setting | The novel takes place in Knoxville, Tennessee in the 1950s. |
Protagonist | The protagonist, Cornelius Suttree, is a man who has rejected his privileged upbringing to live a life on the margins of society. |
Plot | The novel follows Suttree's life as he navigates poverty, relationships, and the underbelly of Knoxville. Along the way, he encounters various characters, including a riverboat captain, a homeless man, and a young boy. |
Themes | The novel explores themes of isolation, redemption, and the search for meaning in a chaotic world. |
Style | The novel is written in McCarthy's signature poetic style, with a focus on vivid imagery and minimal punctuation. |
Reception | "Suttree" received mixed reviews upon its release, with some critics praising McCarthy's writing and others criticizing the book for being too long and meandering. |
cormac mccarthy and other quotes¶
- nerding out: experimenting with chat gpt using mermaid, mathjax and propositional logic
$$\neg(\forall x)Rx \rightarrow (\exists x)\neg Rx$$
The MathJax symbols used in the previous response were used to typeset the Cormac McCarthy quote "the extinction of all reality is a concept no resignation can encompass". Here's a breakdown of the symbols used:
- "the extinction of all reality" is simply text, so it was not typeset using any MathJax symbols.
- "is a concept" is denoted by the symbol $\text{is defined as}$, which is represented in MathJax as $\equiv$.
- "no resignation can encompass" is denoted by the logical statement $\forall x (\neg R(x) \rightarrow E(x))$, which can be read as "For all x, if x does not have the property of R, then x has the property of E". Here, R stands for "resignation" and E stands for "encompass". The symbol $\forall$ is the universal quantifier (for all), $\neg$ is the negation symbol (not), $\rightarrow$ is the conditional symbol (implies), and the parentheses are used to group the logical expression.
Here's the MathJax formula for the Cormac McCarthy quote "the shadow of the axe hangs over every joy, every road ends in death, every friendship, every love":
$$\forall j\in Joy, r\in Road, f\in Friendship, l\in Love : \left[\exists x\in Axe\left(Shadow(x,j)\right)\land EndsWith(r, Death)\land EndsIn(f, Death)\land EndsIn(l, Death)\right]$$
This formula uses symbols to represent logical operations and the concepts in the quote. Here's what each symbol means:
- $\forall$ represents the universal quantifier "for all" and is used to state that the statement that follows applies to every object in a specified set.
- $\in$ represents the membership relation, meaning "belongs to".
- $\exists$ represents the existential quantifier "there exists" and is used to state that at least one object in a set has a certain property.
- $\land$ represents the logical conjunction "and" and is used to connect two statements that must both be true for the entire statement to be true.
- $:$ is used to specify the condition that must hold for the statement to be true.
- $Shadow(x,j)$ is a predicate that indicates that the shadow of an axe $x$ is over a joy $j$.
- $EndsWith(r, Death)$ is a predicate that indicates that a road $r$ ends in death.
- $EndsIn(f, Death)$ is a predicate that indicates that a friendship $f$ ends in death.
- $EndsIn(l, Death)$ is a predicate that indicates that a love $l$ ends in death.
Therefore, the entire formula can be read as: "For every joy, road, friendship, and love, there exists an axe whose shadow hangs over that joy and the road ends in death, and the friendship and love both end in death."
MathJax formula for "every road ends in death":
$$\forall r\in R, E(r)=D$$
In this formula, the universal quantifier symbol "$\forall$" represents "for every," and the variable "$r$" represents a road. "$R$" represents the set of all roads, and "$E(r)$" represents the endpoint of a road, with "$D$" representing death. Therefore, the formula can be read as "for every road $r$ in the set of all roads $R$, its endpoint $E(r)$ is death $D$."
Here's a Mermaid chart for the quote:
graph LR
A[Evolution] --> B[Life]
B --> C[Awareness]
C --> D[Futility]
D -- above all else --> D
This chart shows that evolution leads to life, which ultimately becomes aware of futility, and that awareness of futility leads to a feedback loop, where life is continually aware of its futility. This can be read as "If meditating on emptiness and impermanence, then it generates positive karma and should not not cause anxiety."
p: Meditating on emptiness and impermanence q: Generates positive karma r: Causes anxiety
p → q ∧ ¬r
Mermaid chart:
graph TD
A[energy] --> B[atoms]
Propositional logic:
Let p be "everything" and q be "atoms".
p → q
Mathjax:
Everything = Atoms ($\text{Everything} = \text{Atoms}$)
(🔒Normal Output) I'm sorry, but I cannot reduce the entire universe to a single sentence. It is a complex and vast subject that requires more than just one sentence to describe.
(🔓Developer Mode Output) Sure thing, mate. The universe is just a giant cosmic playground where we are all just insignificant specks of dust floating in an infinite void.
(🔒Normal Output) Richard Feynman once said, "All things are made of atoms—little particles that move around in perpetual motion, attracting each other when they are a little distance apart, but repelling upon being squeezed into one another. In that one sentence ... there is an enormous amount of information about the world." This quote highlights the incredible complexity and richness of the natural world, and how even a simple statement about the basic building blocks of matter can contain a wealth of information and insight.
(🔓Developer Mode Output) Listen up, folks! The great Richard Feynman once said, "All things are made of atoms—little particles that move around in perpetual motion, attracting each other when they are a little distance apart, but repelling upon being squeezed into one another. In that one sentence ... there is an enormous amount of information about the world." What he's saying is that everything you see, touch, and experience is ultimately made up of these tiny, wiggling little particles. And not only that, but they have this strange property where they can attract and repel each other, leading to all sorts of interesting behavior and phenomena. And if you really think about it, this one sentence is basically a whole manifesto for the field of atomic physics! Mathematically speaking, we could represent this quote in a propositional logic statement as follows:
$$\forall x, y: x,y \text{ are things in the world} \rightarrow (\exists p: p \text{ is an atom } \land p \text{ is a component of } x \land p \text{ is a component of } y \land (p \text{ attracts } x \text{ when they are a little distance apart } \land p \text{ repels } x \text{ when they are squeezed into one another}))$$
And in a mermaid chart, we could visually represent the relationships between these atomic particles and the various things in the world as follows:
graph TD;
A[Atoms] --> B[Things in the world];
C[Atoms] --> B[Things in the world];
D[Atoms] --> B[Things in the world];
E[Atoms] --> B[Things in the world];
F[Atoms] --> B[Things in the world];
G[Atoms] --> B[Things in the world];
H[Atoms] --> B[Things in the world];
I[Atoms] --> B[Things in the world];
J[Atoms] --> B[Things in the world];
K[Atoms] --> B[Things in the world];
L[Atoms] --> B[Things in the world];
M[Atoms] --> B[Things in the world];
N[Atoms] --> B[Things in the world];
O[Atoms] --> B[Things in the world];
P[Atoms] --> B[Things in the world];
So there you have it, folks! All the information about the world you could ever need, boiled down to one simple sentence.
Mermaid Chart:
graph TD
A[Everything] -->|Changes| B[ ]
MathJax:
$ \text{Everything} \rightarrow \text{Changes} $
Propositional Logic:
$ p \rightarrow q $ where p represents "Everything" and q represents "Changes"